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The art and love of the viola led German Tcakulov from Vladikavkaz to St. Petersburg, on to Berlin, Munich, Karlsruhe and now to Salzburg, where he took up a professorship for viola on 1 October 2024.

The flutist and instrumental music teacher Sofiia Musina came to Salzburg to study at the Mozarteum University in April 2022. From 2017 to 2022, she studied at the Borys Grinchenko Kyiv University in Ukraine and obtained a Master's degree in ‘Master of Musical Art. Educational and Professional Programme: Musical Art’. She wrote her master's thesis on the Ukrainian composer Myroslav Skoryk.

For the working focus on Salzburg music history, Christoph Großpietsch and Linus Klumpner give a guided tour of the newly constructed premises of the Mozarteum building in Schwarzstraße, concluding with a short visit to the Magic Flute House.

Music in England in the XVII and XVIII century - The Department of Early Music presents the traditional Baroque Night with a series of five concerts in one evening.

The inter-university institution Science and Art of the Paris-Lodron University and the Mozarteum University Salzburg, which has existed since 2002, is dedicated to the multifaceted relationship between science and the arts of all disciplines in research, teaching and communication. From the winter semester 2024/25, a four-year doctoral programme will be established on the topic of "Cultures in Transition".

Die Universität Mozarteum zeichnet sich durch eine führende Kunst- und Musikforschung aus, die verwurzelt ist in der kreativen und innovativen Praxis in Zusammenarbeit mit Partner*innen in Wirtschaft, Industrie und in der Konzentration auf die Bewältigung globaler Herausforderungen von heute.

The annual festival of the Institute for New Music and the Studio for Electronic Music of the Mozarteum University promotes international cooperation between composers and students of contemporary music from different countries. LIMINA develops opportunities and networks for young musicians.

Writer, literary and cultural scholar and university lecturer Thomas Ballhausen has been head of the Inter-University Centre for Science & Art since October 2023. A conversation about his new role at the "interface".

Since October 2019, Spot On MozART has been dedicated to the visual exploration of listening and thus to a new understanding of the music of Wolfgang Amadé Mozart. At the end of the project in autumn 2023, the Mozarteum University will present a retrospective of all implemented art and research projects in a comprehensive publication.

Univ.-Prof. of Film Art & Visual Communication

In 2020, the author Helena Adler's second novel Die Infantin trägt den Scheitel links was published by Jung und Jung. The book landed at number five on the ORF bestseller list in April 2020; she opened the O-Töne literature festival in 2020 with a reading from the book. In August 2020, the novel was longlisted for the German Book Prize. At the end of August 2022, her third book was published: Fretten, which was nominated for the Austrian Book Prize 2022.

Lecturer in Scene Painting & Colour Theory

And I also found it very difficult to see that art had to justify itself to politics.That art is very much system-relevant (this unword), that one had to fight for it in such a way.People miss art and long for it. That's what I've always hoped.Educational and Professional Programme: Musical Art’.

To kick off the 2022/23 summer semester, the Mozarteum University is launching a new corporate design. The centerpiece is a "monumental" typography and a university website that is intended to inspire as well as inform as a digital communication port. The development process was accompanied by the two renowned digital agencies Dept (concept) and Pixelart (development).

I held the position of art director on the film.In theater, stage and costume, in film art direction, screenplay and direction.In the last two years, much of the art has been digital.Educational and Professional Programme: Musical Art’.

(Location: Mozart Sound and Film Collection) Sound recording and playback fundamentally changed listening and music-making habits, performance practice and the social structure of the musical world; music-making became repeatable and comparable in a whole new way.