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On June 29, the Department of Scenography invited to the annual tour, work show and summer party. Diverse insights into the studies, the studios and the created and ongoing projects were complemented with open studios, installations, exhibitions, films and live music.

How does one actually become an actor? How does an acting class work? The participants were able to try this out for themselves for a week at the #summercamp23 of the Thomas Bernhard Institute, when the university opened its doors wide and it was time for very different youngsters to get on stage, get into character, #act!

A portrait of the legendary composer Helmut Lachenmann and a conversation with Johannes Maria Staud about the planned Helmut Lachenmann Days at the Mozarteum University.

Reichert Publishing House

For the working focus on Salzburg music history, Christoph Großpietsch and Linus Klumpner give a guided tour of the newly constructed premises of the Mozarteum building in Schwarzstraße, concluding with a short visit to the Magic Flute House.

Armela Madreiter, graduate of the Mozarteum University and dramaturge for the current music theatre production by Florentine Klepper and Kai Röhrig's opera class, Medusa / Giuditta, talks about fruitful collaboration, exciting female characters and crossing boundaries.

Even in a hyper-eroticized society, hardly any topic is as polarizing as sex work. Whether in feminist debates, political disputes or in private conversations: everyone has an opinion about it. In Johanna Mayrhofer's master's project, sex work as a topic that has always been on the borders of our society is moved from the outskirts to the center of Salzburg in the form of an interactive audio walk.

The play deals with transgenerational remembering in the form of collected stories of the ((great-)grand-))parents and the confrontation with what they have experienced. The idea is to be able to influence future events by dealing with the past.

Teacher of Recorder

of the Erika Frieser Chamber Music Days have made it their mission to shine a light on those piecesThe festival is dedicated to Erika Frieser (1927-2011), who was the first woman to hold a professorshipShe learnt the basics of her musical craft from her father, who was a pianist.She was initially taught at the Rheinische Musikschule by Frieda Stahl, a pupil of Theodor Leschetitzky