A woman and her istrument share their performative expolrations ans examine the possibilities of lament. What can they archieve, given that every sound refracts the sctructural suffering of an inhuman border regime? Do we find something like hope ans even resistance in musical action?
The students of the master's program Applied Theater at the Thomas Bernhard Institute, together with Ulrike Hatzer and Trace Müller, deal with Salzburg's "shadow stories" and with the forced labor camp in Maxglan/Leopoldskroner Moos in a participatory documentary theater project. Whether, when and why are painful pasts and shadow stories remembered?
MEGA:STAGE salzburg is a project of the Applied Theatre - artistic theatre practice & society programme, which illuminates the festival city of Salzburg from a new perspective and gives a new dimension to one of the original ideas of the festival, that of the "city as stage".
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