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Current information on semester fees, scholarship offers and financial support from the Mozarteum University and other legal entities, as well as links and forms.

With the positive completion of the admission examination and the enrollment in the study program, the official entry into student life is accomplished. Here students can find interesting facts about the beginning of their studies.

Here, students at the Innbruck location can download all necessary forms for registration & deregistration from studies, for doctoral studies and theses, as well as study and course fees.

Univ.-Prof. of Art Didactics / Representative for the study of art and craft education in Innsbruck

News … Home News Support for artistic/scientific projects Promotion of artistic / scientific projects 27.02.2022 News Iris Mangeng The Institute for Equality & Gender Studies of oversees the announcement and awarding of prizes for theses and qualification projects as well as funding of artistic/scientific projects in the fields of Gender & Queer Studies as well as Diversity Studies. This offer is intended to make visible the examination of gender- and diversity-sensitive as well as queer and/or feminist issues pursued at the University Mozarteum Salzburg and, above all, to provide an incentive for young artists/scientists to deal with the subject matter. Application documents must be submitted in German or English and exclusively by e-mail: iris.mangeng@moz.ac.at Submission is possible on an ongoing basis. Grants will be awarded according to available funds. The announcement of the grant award will be made in writing. Support for artistic/scholarly projects in the fields of Gender & Queer Studies and Diversity Studies The Institute for Equality and Gender Studies at the University Mozarteum Salzburg supports initiatives that deal innovatively with questions of gender and/or diversity. Support is given to scientific and artistic projects that are committed to women's studies. that address gender, power and domination relations, gender roles, 'queer' expressions of desire and/or the (de)construction of gender in the arts, sciences and society. that reflect gender identities and diversity concepts (regarding sexual orientation, ethnicity, religion, age, disability, etc.). Such projects could be, for example: (active or passive) participation in a conference or in a workshop/course artistic presentations and works at the Mozarteum University: concert, scenic presentation/performance, exhibition or art installation etc. thematic studies: archive and literature research, empirical studies etc. Grants of up to 500 € are awarded to students of all fields of study. Requirements Regular studies and/or current employment at the University Mozarteum Salzburg. Projects/projects in connection with bachelor, master and diploma theses are NOT eligible for funding (projects/projects in connection with dissertations - provided completion of the viva B - can be funded in justified cases). Evidence (confirmations of participation, program booklets, short reports, etc.) of the successful realization of the project must be submitted to the Institute for Equality and Gender Studies within one month. Application documents completed form tabular curriculum vitae detailed description of the project (max. 1500 words), from which the following criteria clearly emerge: Critically reflective contextualization of one's own project/project in the scientific and/or artistic state of feminist research, gender, queer and/or diversity studies or in comparable artistic debates Objectives of the project/project Timetable or schedule Estimated costs Letter of recommendation from the project supervisor, main subject teacher, etc. (max. one A4 page).

FAiR stands for Female Artist in Residence and is a funding programme for young female artists on their way to becoming university professors. It was recently launched at the Mozarteum University and is committed to greater fairness and equal opportunities in the professional lives of women at music and art universities.

The history of women at the Mozarteum University is not linear - it tells of pioneers and structural barriers, of new beginnings and persistent change and can be experienced in an exhibition from June 2 to 18.

Management & Organization

News … Home News Domenica Radlmaier Domenica Radlmaier - Soprano 27.04.2020 Alumnae & Alumni Stories Iris Wagner © Privat Skip page navigation Overview Conversation More portraits Alumnae & Alumni Network Return to slider start "Solo program as an alternative" — Domenica Radlmaier: Soprano, Germany & Austria How did you experience the Corona period as an artist? For me it was from one hundred to zero within one day. I had a four-week rehearsal period until mid-March for an opera project near Karlsruhe, where I would have sung Rosalinde in Die Fledermaus. That meant lots of people, full days, wonderful music, great experiences and very creative work. We then had to skip the last day of rehearsals, because the public buildings were closed and so we couldn't go into our rehearsal hall anymore. So we met in front of the building on what was supposed to be the last day of rehearsals. The announcement, you are not allowed to enter anymore, came only in the morning. We were only able to have a short closing meeting outside. We said goodbye to each other and were all a little irritated. Most of us were already looking for trains home because we were afraid we wouldn't get home. We were an international team. But none of us really thought at that point that this festival couldn't happen. The rehearsals stopped in March and in May it was communicated that the festival cannot take place in the form it did. Instead, there will be smaller concerts. In what period would the festival have taken place without Corona? T he festival was planned with several productions from July to August. One production would have been the "Fledermaus" with 20 performances. Are there already new perspectives for you now? I was invited this week for four concerts. The program is not quite fixed yet, because the staff tried to save the festival until the very end. Not least for the audience, as it is a very established and popular open-air festival. Fortunately, the productions will be made up next year. But the four concerts are a first step and they probably wanted to stay present for the audience and not leave us artists out in the rain. It's nice to hear that other formats, forced smaller formats, are being implemented. I can already hear a sense of optimism. But what was the first time like after you stopped rehearsals? The first time I was still very committed to the project, because I couldn't imagine or didn't want the phase to last so long. I was still totally in work mode and worked off things that had been left lying around, got my apartment in shape and structured every day. Then the phase got longer and longer and at some point it was no longer foreseeable. From that point on, it became really difficult for me. When there is no real goal point. Especially since it is difficult to sing in my apartment. We have thin walls and I was also aware that many people are now at home. And then, when it was also foreseeable that I wouldn't be able to go on stage for a while, I didn't want to exhaust that and then also be a noise nuisance. Do you have to practice less as a singer than a violinist or a pianist? You notice it very much as a singer if you can't practice much. Especially the condition suffers. In Austria, support programs for artists, for example through the Artists' Social Insurance Fund, were also an issue relatively soon. What was that like in Germany? I didn't deal with it so intensively at first, because I thought the festival was taking place in the summer. I also thought, maybe others need this help more urgently than I do. In addition, the whole system was very opaque and keeps changing until today. Only yesterday I received new information. For a long time it looked like that solo self-employed people who don't have liquidity problems don't get any help. So, that private costs like rent don't count. I have no studio, no rehearsal room, no machine to pay for. For this reason, I fell out of the "aid projects" for the time being. Now it's being adapted and refined little by little, and I have high hopes that the system will improve for us artists. I've signed up for some things and filled out some forms but I guess you still have to be patient. It's not easy, but I'm trying not to lose heart and hope that some kind of "normality" will return soon. I am afraid that many people do not realize that the situation will drag on for a long time. This is not over with the end of the pandemic, but many things simply cannot be done now because they are not profitable for theaters. Without a financially functioning theater, artists can't be hired either. Therefore, the aftermath will be felt for much longer. As a young professional, it is therefore difficult to regain a foothold. Many auditions were canceled, programs and operas were canceled completely. I was lucky now that this festival tries to implement small projects instead of the planned program. But a lot of things have been canceled without replacement, so the loss of earnings is 100 percent. I can hear that as an artist you have to be creative in a different way at the moment. What can you actually do under the existing conditions? In Austria, events with 100 people have been allowed to take place since the end of May - an opera production is thus not profitable… It was very nice that some approached me and asked for online lessons. That was also a lot of fun and of course I was happy that they thought of me during that time. I also try to offer solo programs, have done some cabaret as well. The small programs include only two people on stage: the singer and the pianist. With them I want to bring the audience a little bit of cheerfulness, looseness and laughter in the difficult time for everyone. Is there anything you wish for your work environment? What has always stung me personally is that the soccer club has been in the media a lot, and very often there have been discussions about when the players will now be allowed back on the pitch, and other areas have been given less thought. There are very many people in the arts and many who are dependent on this industry. I was lucky that I was always well informed about the state of affairs by "my festival". However, I know of other organizers who to this day have given no indication of how things will continue, even though there are existing contracts. Being "stand-by" was also the hardest part of the Corona period for me. Not knowing when to be ready for the stage or whether to try for other things, the uncertainty. Of course, no one could know how long the situation would last. But I hope that soon we will be able to put aside this caution and have great events. We artists are all hungry to be able to make more art again. I realized during the Corona period that listening to music or seeing productions through a screen is not the real thing. The experience of the stage and concert hall is different. I miss that contact with my colleagues and the audience. www.domenicaradlmaier.com More portraits Braver than before - Mariia Tkachenko 8.4.2025 Braver than before - Mariia Tkachenko  Mariia Tkachenko lived in Kyiv until March 2022, where she received singing and violin lessons as a child and has already appeared in several TV productions. Her acting studies at the I. K. Karpenko-Karyi Kyiv National University of Theatre, Cinema and Television were interrupted by the war in Ukraine. Alumnae & Alumni Stories A passionate (folk) music educator - Rupert Pföß 17.3.2025 A passionate (folk) music educator - Rupert Pföß  Alumnus Rupert Pföß has been working as a music teacher at Musikum Salzburg since 1996 and has been head of the folk music and harmonica department since 2012. He is also an extended board member of the Salzburger Volksliedwerk. His busy seminar and jury activities at various music weeks and music competitions enrich his everyday life as a musician time and again.  Alumnae & Alumni Stories From Kiev to Salzburg - Sofiia Musina 20.11.2024 From Kiev to Salzburg - Sofiia Musina  The flutist and instrumental music teacher Sofiia Musina came to Salzburg to study at the Mozarteum University in April 2022. From 2017 to 2022, she studied at the Borys Grinchenko Kyiv University in Ukraine and obtained a Master's degree in ‘Master of Musical Art. Educational and Professional Programme: Musical Art’. She wrote her master's thesis on the Ukrainian composer Myroslav Skoryk. Alumnae & Alumni Stories Art will always be there, even in the most difficult times - Meral Guneyman 5.11.2024 Art will always be there, even in the most difficult times - Meral Guneyman  Meral Guneyman is a versatile classical musician, with numerous releases, who is comfortable in both pop and jazz music, has transcribed many original works and is also an enthusiastic arranger and improviser. Her ability to move between classical and jazz with lightning speed and conviction is a rarity. In 2021, her arrangements of classic David Bowie songs were presented for the first time on ‘Steinway-Spirio’ - a high-resolution self-playing system of the highest quality. Alumnae & Alumni Stories Breaking down boundaries and barriers - Judith Valerie Engel 29.9.2024 Breaking down boundaries and barriers - Judith Valerie Engel  Judith Valerie Engel is an Austrian pianist, musicologist & feminist. After years of study in Salzburg, Helsinki and Vancouver, she is currently completing a PhD in Historical Musicology at Oxford University. She is a recipient of the Stone-Mallabar Doctoral Scholarship awarded by Oxford College Christ Church. She is also one of the ‘Public Scholars’ in the Public Scholars Initiative of the University of British Columbia. Both academically and artistically, her focus is on historical and contemporary women composers. Alumnae & Alumni Stories Who I will always be - Augustin Groz 2.6.2024 Who I will always be - Augustin Groz  The actor Augustin Groz, who has Austrian-French roots, studied acting at the Mozarteum University and then completed a Master of Fine Arts at The New School in New York. In 2023, he received the Max Ophüls Prize for best young actor in Özgür Anil's feature film "Wer wir einmal sein wollten", which can be seen in Austrian cinemas in May and June. Alumnae & Alumni Stories More news