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schnitt # stellen is an interdisciplinary project that incorporates perspectives from artistic research as well as cultural and media pedagogical research. The focus of interest is on interactions and potential synergies between the media cultural lifeworlds of young people attending an urban secondary school and the field of contemporary media art.

Univ.-Ass. for Graphics / Art and Visual Practise & Senior Scientist in W&K

Theater-interested, -enthusiastic and -newcomers are welcome! Everyone together, citizens, people who live in Salzburg, students and life artists try out together.

What can my anger do and how can I use it? What facets of female anger are there? Can anger be tender? And which household appliance represents my anger and why?

The Boy Gobert Prize for young actors in the Hamburg theatre scene, worth €10,000, has been awarded to Payam Yazdani, a 2025 graduate of the Mozarteum University’s Thomas Bernhard Institute. We congratulate him on his success!

The Theodor Körner Fund was established in 1953 by the Vienna Chamber of Labour to mark the 80th birthday of Austria’s then Federal President, Theodor Körner. Since its founding, the Fund has supported outstanding achievements across a wide range of disciplines. The awards are presented annually at a ceremony held at the Vienna Chamber of Labour’s Education Centre and are traditionally conferred by the Chair of the Board of Trustees together with the President of Austria.

The Applied Theatre students are showing try-outs of their work in the module "On Representation - Who cares, who speaks?". Together with co-researchers, accomplices and so-called experts of everyday life, they try to find out which untold stories should be given a stage.

 "extra-intro" is a participatory project in the genre of applied theatre, where the main character is our experience of being among others.

No Event. The event is open to the institute and university after registration online. A limited number of interested parties may also participate in the live workshop. Zoom link to participate: https://moz-ac-at.zoom.us/j/67817730816?pwd=VHl3aGIxVGtpUXJwTDFyZUVZK2c2Zz09 QUEER*ATING TEAM: Cat Jugravu & Tandile Mbatsha & Mike Ayvazian. Digital Soirees II embraces the intersection of queer bodies, identity, and exile in the performative and theatrical arts as an evolving and dynamic discourse. It offers the opportunity to question historical constructs, engage with contemporary complexities, and explore the multiple dimensions of human existence in an ever-changing world. The Digital Soirées are organized by the Applied Theater - Artistic Theater Practice & Society at the Thomas Bernhard Institute of the University Mozarteum with financial support from the Institute for Gender Equality and Gender Studies of the University Mozarteum. They were developed in 2022 for the first annual PAC conference in Zurich by Georges Fründer in collaboration with Cat Jugravu, Isu Mignon Mignonne and Tandile Mbatsha. Which story(s) are given a stage, who is heard, who shapes narratives - what role does one's own biography play in the process. A focus - also of the self-inquiry of the study program - is here on queer approaches and practices. They stand for themselves in the sense of equality, but in this intensive workshop work they also stand for the performative practice of so-called "artivists". At the same time, the event is also about testing spaces and formats for performative and empowering practices. This year, it is the digital space and the curatorial and editorial practices behind it that will be tapped. In the format of the digital soiree, these themes and formats will be explored and practically tested with Applied Theatre students in workshops and TryOuts. This event was sponsored by the Institute for Equality and Gender Studies. The Digital Soiree on October 12 will take place as part of the Institute for Equality and Gender Studies' Social Justice event series.

What is the sound and rhythm of a city? How do people meet in this or another place? Where do they feel free? How does urban architecture inscribe itself into our bodies? How do we walk in the city? What does the climate of a city feel like? How does the memory of a city work? And what happens when we relate our experiences with these questions in places as different as Hong Kong and Salzburg?

Utopias to go on:A travelling parcours in the performative border area between procession, installation and intervention leads the audience of the summer scene into the public space. In this walk through the city, a possible constructive and feminist future for Salzburg is developed together.

A tour through eight temporary individual works by MA Applied Theatre students on the theme of theatricality and the theatricalization of places and spaces.

The Applied Theatre students are showing try-outs of their work in the module "On Representation - Who cares, who speaks?". Together with co-researchers, accomplices and so-called experts of everyday life, they try to find out which untold stories should be given a stage.

MEGA:STAGE salzburg is a project of the Applied Theatre - artistic theatre practice & society programme, which illuminates the festival city of Salzburg from a new perspective and gives a new dimension to one of the original ideas of the festival, that of the "city as stage".

The students of the master's program Applied Theater at the Thomas Bernhard Institute, together with Ulrike Hatzer and Trace Müller, deal with Salzburg's "shadow stories" and with the forced labor camp in Maxglan/Leopoldskroner Moos in a participatory documentary theater project. Whether, when and why are painful pasts and shadow stories remembered?

The Applied Theatre project digs for stories hidden in the Rainberg. By overlaying the different uses in different periods of time, contrasts but also commonalities become visible: "Dance until we die" examines how temporary communities function, according to which criteria they are created, which rules they are subject to.