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The play deals with transgenerational remembering in the form of collected stories of the ((great-)grand-))parents and the confrontation with what they have experienced. The idea is to be able to influence future events by dealing with the past.

How much time do we give life in life? Pelican or raven? How much role modeling can we tolerate? Where do we put our anger? Do you wash your hands often enough? And do you like to eat bread? Yes, and who actually asks mum? Lievito Madre invites you to take time to listen, ask yourself questions and take a closer look at the roles of mothers.

Jonas Baur, Master's student Applied Theatre invites all men (all bodies, queer-friendly, trans* inclusive) to come together to seek and find answers to what it can mean to make masculinity diverse and caring. The invitation is open to anyone who is curious, interested in sharing about gender roles, wants to see themselves as men in their own way, or wants to prevent discrimination.

How do we change perspectives when things and people become strangers to us? The performance OUBLIEZ - WHO(N) WE FORGET focuses on the 'in-between spaces' where communication takes place - between those affected, care staff and relatives - and tries to capture what happens to people who "disappear without being lost".

Pleasure Space is a tactile installation and theatrical play on sexuality education. Anna Szepes' master project in MA Applied Theatre aims to create safe and playful performative spaces for intergenerational exchange and creative knowledge production around sexuality. In Pleasure Space we use research, interviews, play design, writing, somatic exercises and sound to realise a correspondence between adults and teenagers that is now open to you.

Could Dionysus be a queer trans* deity? What if their companions simply do not conform to any norm and are not mad at all? Cat Jugravu's performance DIONYSOS. MADNESS POURS UPON MY LOVELY FACE invites us to reinterpret the myth as a manifesto for otherness and queerness. With the Maenads - the dissident entourage of Dyonisos - the audience tries to approach a life without the norm in ritual, dance and rave.

Even in a hyper-eroticized society, hardly any topic is as polarizing as sex work. Whether in feminist debates, political disputes or in private conversations: everyone has an opinion about it. In Johanna Mayrhofer's master's project, sex work as a topic that has always been on the borders of our society is moved from the outskirts to the center of Salzburg in the form of an interactive audio walk.

You choose the material on the test field. And then the playing begins. How does your new body feel? What does it tempt you to do? You are not alone on this exploration, the others must also find themselves in their foreign bodies. A series of recordings accompany you on this journey in an attempt to create an environment that enables collective thinking and relationships, to rethink how we are together and what we learn from each other.

Master's project Applied Theatre by Cristina Giurgea: What is Salzburg? And what does it mean to be a real Salzburger? The answers to these questions change depending on whether you were born and raised here, moved here or are just passing through.S

X participants, X directors on X dates with X theater ideas, people interested in theater, theater enthusiasts, theater novices meet students of the Applied Theatre - artistic theater practice & society program. Everyone tries out together, some in playing, others in directing.

Dates of the Open University workshop series in connection with the Applied Theatre course "Leading, Planning, Facilitating - theatrical work in uncertain settings".

This semester, Applied Theatre's documentary research project deals with Feminist Cities - for the third time in cooperation with Sommerszene.

The Applied Theatre Master's programme at Mozarteum University celebrates its 5th birthday. A look back and ahead with Prof. Ulrike Hatzer, who has headed the programme since 2019.

Anastasiia Larina receives scholarship from the Federal Ministry for European and International Affairs (BMEIA). She comes from Kherson/Ukraine and has been studying the MA Applied Theater - Critical Theater Practice and Community at the Thomas Bernhard Institute of the Mozarteum University since 2023.

LIT Verlag, Münster 2023

Professor of Music Education (retired) / Substitute Member