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+++ Registration for the entrance examination for teacher training (Art Education and Design:Technology.Textile) still possible until 10th June 2025 - all further information on the course pages! +++

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  • Stefanie Maria Kargl
    Employee
    Stefanie Maria Kargl 
    People … Home People Stefanie Maria Kargl Employee Mo Stefanie Kargl ⋅Event technology Contact +43 676 88122387 stefanie_maria.kargl@moz.ac.at
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  • Anna Sophia Hofmuller
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    Anna Sophia Hofmuller 
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  • peter hawkik,
    Employee
    peter hawkik, 
    Master for Event & Event Technology / Sound Engineering
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  • International Mozart Competition 2023 in the vocal category
    5.12.2022
    International Mozart Competition 2023 in the vocal category 
    39 singers from 15 countries competed for the International Mozart Competition of the Universtiät Mozarteum in the vocal category from February 10 to 16, 2023. A program highlight was dedicated to the 100th anniversary of the IGNM, which was celebrated in 2022. The final took place on February 16, 2023 in the Solitär.
    News
  • Ensemble Promotion Award'23 to NAMES
    12.12.2022
    Ensemble Promotion Award'23 to NAMES 
    News … Home News Ensemble sponsorship award to NAMES Ensemble sponsorship award to NAMES 12.12.2022 Awards & Successes © Fabian Schober The Ernst von Siemens Music Foundation awards the two Ensemble Sponsorship Prizes '23 to the vocal ensemble Ekmeles from New York and the Salzburg-based New Art and Music Ensemble NAMES. The award will be presented for the third time in 2023 to outstanding young ensembles and is endowed with 75,000 euros each. (Press release of the Ernst Von Siemens Music Foundation) With the Ensemble Sponsorship Award, the Ernst von Siemens Music Foundation annually supports two outstanding young ensembles. The prize serves to further their artistic and structural development. This year, the American ensemble Ekmeles and NAMES from Austria prevailed from a large number of excellent applications from 16 countries. The decision was made by the Board of Trustees of the Ernst von Siemens Music Foundation, whose members include Intendant Ilona Schmiel, violinist Carolin Widmann, and composers Isabel Mundry and Enno Poppe. The prize was established in 2020 and will be awarded for the third time in 2023. The American ensemble Ekmeles is one of the few vocal ensembles in the world to focus on contemporary music. The New York singers* convince with a grandiose sound, outstanding precision and intonation, with which they master even the most difficult microtonal works. At the same time, Ekmeles strikes a good balance between new works and the repertoire of past decades. The New Art and Music Ensemble NAMES from Salzburg takes a multi-impulse approach. With eleven musicians from seven European countries, there is great cultural diversity. The ensemble builds bridges to other art forms such as performance, dance, visual arts and literature. As a democratically organized collective, NAMES has shaped its own unique style and aesthetic. For NAMES, the Ensemble Prize is "a huge opportunity to continue to engage with the things that inspire us and to create a sustainable space for our creativity," says Anna Lindenbaum, violinist of the ensemble. "It is great to see how each individual and we as an ensemble have developed over the last 8 years. The Ensemble Prize encourages us in our efforts to unite diverse artistic disciplines in one ensemble and to deal with transdisciplinary concepts. We are very happy about the possibility to continue with this and to accept new challenges again and again! ", emphasizes also  Marco Sala , clarinetist of the ensemble. NAMES will be heard on February 28, 2023 at the opening event of the 50th anniversary of the Ernst von Siemens Music Foundation at the Bavarian Academy of Fine Arts in Munich.  More details (Opens in new tab) Perhaps also interesting ... Awards & achievements (german only) 1.4.2025 Awards & achievements (german only)  Awards & Successes Artist Solidarity Programme Europe for Anastasiia Larina 11.3.2025 Artist Solidarity Programme Europe for Anastasiia Larina  Anastasiia Larina receives scholarship from the Federal Ministry for European and International Affairs (BMEIA). She comes from Kherson/Ukraine and has been studying the MA Applied Theater - Critical Theater Practice and Community at the Thomas Bernhard Institute of the Mozarteum University since 2023. Awards & Successes university and family: Mozarteum University honored again 3.2.2025 university and family: Mozarteum University honored again  On January 29, 2025, the Mozarteum University Salzburg was again awarded the state quality mark “Audit hochschuleundfamilie” for its exemplary commitment to family friendliness. Awards & Successes Arieta Liatsi receives the Paul Roczek Award 2024 23.1.2025 Arieta Liatsi receives the Paul Roczek Award 2024  Every year, the Mozarteum University honours students majoring in violin who have shown particular talent and achievement with the Paul Roczek Award, which is endowed with 10,000 euros. The winner of the Paul Roczek Award 2024 is Arieta Liatsi. Awards & Successes
    News
  • Opera Out Of Opera 2: Fill out questionnaire & win
    20.12.2022
    Opera Out Of Opera 2: Fill out questionnaire & win 
    Which opera houses do you know, where would you most like to visit an opera and how do you imagine a contemporary opera performance? Take part now in the survey as part of the Opera out of Opera project and, with a bit of luck, win one of three vouchers worth 100 euros for a store of your choice! The closing date for entries is January 31, 2023.
    News
  • Raimonda Žiūkaitė's Opera "Salt is My Heritage" is Stage Work of the Year
    17.5.2022
    Raimonda Žiūkaitė's Opera "Salt is My Heritage" is Stage Work of the Year 
    Raimonda Žiūkaitė's opera composition "Salt is My Heritage" was chosen as the Work of the Year in the category of stage works by the Composers' Union of Lithuania. The work was performed by Lidia Luciano (soprano), students of the Mozarteum University and the œnm under the direction of Félix Marest. The premiere took place on October 28, 2021, as part of the Crossroads Festival. It was directed by Giulia Giammona and the libretto was written by Franz Jäger.
    News
  • Long Night of Research 2022
    20.5.2022
    Long Night of Research 2022 
    News … Home News Long Night of Research 2022 Long Night of Research 2022 20.05.2022 Research project © Christian Schneider Long Night of Research 2022: Live presentations, experiments to watch, join in and marvel at With over 2,000 stations, guided tours, workshops, lectures, live presentations and experiments to watch, participate in and marvel at, the Long Night of Research offers something for everyone: for science professionals and those who want to become one, for the adventurous and the curious, for those who think outside the box, for tinkerers, for small and large discoverers and for everyone who wants to know exactly. Research is multifaceted: from society, environment and health to natural sciences, technology, energy, business, digitization and culture, researchers present their achievements! This ranges from pre-scientific work at schools to cutting-edge research, from basic research to leading projects in application-oriented research or successful innovations from companies. www.langenachtderforschung.at Program points Salzburg ATTENTION INTERNATIONAL "100 years IGNM" ON THE EUROPEAN MOZART WAYS (Bella Musica project of the Pre-College Salzburg & Archiv Spielforschung) MOZART MACHT MINT (exhibition and workshops) NACHTMUSIK IN DER BIBLIOTHEK (voyage of discovery through library, book depository and reading room) How does performative art ask questions about ecology? Participation station (Anna Töller and Anna Maria Kalcher) What moves us? Participation station (Elisabeth Pieper and Magdalena Gassner-Castillo) How do dances contribute to the community experience? Participation station (Andrea Ostertag) Participation station/workshop: How to make textiles audible and sound tangible? Workshop (Gertrud Fischbacher and Marius Schebella) Data and Algorithms: An Artistic Exploration Lecture and Sound Installation (David Pirrò) Literature Meets AI (Thomas Ballhausen and Eugen Banauch) Medial Text Lab - Spot On MozART (Thomas Ballhausen and Marcel Kieslich) Thinking with Models (Magdalena Hofer & Selina Nowak) AKT / NUDE (Stefan Bachmann) Practice of drawing as a form of artistic exploration Program points Innsbruck "Research-based learning" in music education - an interview study on the curriculum for the teaching profession ( Julia Wieneke) "Fundamental ideas" in piano methodology - holistic approaches to (practical) piano playing (Reinhard Blum) Stability of tempo ideas based on selected pop songs (Heike Henning) Cultural participation in the context of virtual (T)spaces - an interactive lecture  (Heike Henning) Gallery Skip slider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider Jump to slider start Dates 20. May 2022 from 17.00-23.00 Cinemax, Theatrum, Department of Music Education Innsbruck, Small Studio, Orff Institute, University Library
    News
  • Amoral Fabric - Back to the Beginnings of Modern Opera
    22.6.2022
    Amoral Fabric - Back to the Beginnings of Modern Opera 
    Personal ambition, egomania and sexuality as an instrument of power: Claudio Monteverdi's (1567-1643) "L'incoronazione di Poppea" is as topical as ever, even 380 years after it was written. A conversation with Gernot Sahler, the musical director of the opera production.
    News
  • Tour 2022
    30.6.2022
    Tour 2022 
    News … Home News Tour 2022 Scenography Tour 2022 30.06.2022 Student project © Christian Schneider The Department of Scenography invites you to this year's tour! After a two-year break, we present ourselves in all our diversity. In addition to performance, film and photo galleries, we also give insight into the daily work in the studio and show the most diverse projects that have sprung and been lost here in recent years. Program SINSATION, Laura Trilsam (Performance) IS THIS YOU? Marina Calabrese (installation) IN NOMIE LUDI, Carla Schwering ( short film) LIGHT HEAVENLY, Nogati Udayana (performance) OUT OF THE SKIN FAHREN, Christina Winkler (performance) STARRE MÜHEN, Marinus Halbig (performance) HAMLET MACHINE, Jiale Zhu (short film) DON'T PEAK, Lucas Bertin (performance) WHAT'S IN IT? Ella Hölldampf (performance) AND YOU? Yoko Ann Idler (performance) Also: open studios, book presentation AK/NUDE, culinary tastes & bar. Gallery Skip slider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider © Christian Schneider Jump to slider start Dates 30. June 2022 from 16.00 Paris-Lodron-Straße 9, 5020 Salzburg
    News
  • International Music Theory Congress at the Mozarteum University
    20.9.2022
    International Music Theory Congress at the Mozarteum University 
    News … Home News International Music Theory Congress at the Mozarteum University International Music Theory Congress at the Mozarteum University 20.09.2022 News © GMTH The leading umbrella organization for music theory in Europe, the Gesellschaft für Musiktheorie (GMTH), meets at the Mozarteum University and addresses current issues. In addition to renowned speakers such as Robert Hatten (Austin/Texas), Otfried Büsing (Freiburg), Cosima Linke (Saarbrücken), Ulrich Kaiser (Munich), Christian Utz (Graz), and Martin Rohrmeier (Lausanne), who will present their latest work, students will also have the chance to present their projects.  GMTH Congress 2022: MODELS September 30 - October 2 Mozarteum University Music theory as a lively and inspiring subject Music is an artistic question or message, a mystery to be deciphered. Craftsmanship: How do you compose a sonata in the style of Viennese Classicism? Analytically: How can the mystery be traced? Historically: How did Mozart learn to compose and what can we learn from him? Scientific: Music is always a testimony of its time, and a variety of approaches and methods are needed to gain insight into it - what can these look like? These are the questions that the discipline of music theory addresses both within and outside its pedagogical sphere at a music university. The subject, which one might still know as a series of dry compulsory subjects, has properly moulted in the last two decades. It is open to artistic questions of all kinds and offers an extremely versatile approach to music with "diverse" answers, but also new questions. Music theory as a discipline thus builds bridges between musicology, research and musical practice, between pedagogy, historical as well as contemporary composition and improvisation.  It encompasses an enormously multifaceted and widespread canon of subjects that is needed at every music education institution. Not only do more than 200 participants from German-speaking and international countries prove that music theory is a lively, inspiring subject that is colorful and anything but dusty. The GMTH congress also shows that music theory is constantly reinventing itself artistically, scientifically, pedagogically and institutionally, questioning its methods and striving to integrate new media and modern technical developments such as Artificial (Artistic) Intelligence. Under the somewhat abstract theme of "Models" and self-deprecating subtitles, the event will feature lectures, workshops, panel discussions ("Battaglia"), presentations of new computer-based approaches ("Lab"), and even a master class. Leading international researchers will present their latest work and students will also have the opportunity to present their projects. The special feature of GMTH's topic selection is that everyone can apply anonymously with a presentation, whether students or international greats: The only thing that counts in the selection is the quality, not the name.   Public events presenting the impressive artistic results of music-theoretical work - the dates: The supporting program of this year's annual congress of the Gesellschaft für Musiktheorie (GMTH) is intended to explore, in view of the congress theme "Models", the field of tension between composition as "historical syntax" and "real" composition. Where does composition begin, where is it "only" composition? Do both belong to art or is there such a thing as "mere craftsmanship"? Does a large transitional area exist, or can composition and composition be clearly separated? - Concert "Young Mozart" Friday, Sept. 30, 2022, 8 p.m., Solitär, Universität Mozarteum Salzburg, Mirabellplatz 1, admission free Do you recognize a piece by Mozart among works by music theory students of the Mozarteum and other music universities? Under the title "Young Mozart", students present their own works composed in the classical style of music of the middle (and late) 18th century. Mixed in will be an original composition by Wolfgang Amadé Mozart. During the concert, the audience is allowed to vote via app which of the pieces is the original one. The "resolution" will only take place at the end of the evening… - Keynote "Models in New Music" Saturday, 1.10.22, 9.30-11.00 a.m., Solitär, Universität Mozarteum Salzburg, Mirabellplatz 1, admission free The keynote consists of two impulse lectures on typical turns and models in new (post-tonal) music. This will be followed by a discussion between the panel and the audience. - "Improvisation Competition and Award Ceremony" Saturday, Oct. 1, 2022, 11 a.m. to 1:15 p.m. and award ceremony 3 p.m. to 3:30 p.m., Universität Mozarteum Salzburg, Mirabellplatz 1, admission free Every year, the GMTH hosts an artistic competition to promote young talent for students. This year it is dedicated to the theme of improvisation. The final round and the award ceremony will take place live during the congress. Similar to the concerts of the supporting program, the contributions move in an open spectrum between style-bound and "artistic freedom". - Concert "Between style-bound composing and avant-garde" Saturday, Oct. 1, 2022, 8 p.m., Solitär, Universität Mozarteum Salzburg, Mirabellplatz 1, free admission This concert offers you several opportunities to approach the questions posed at the beginning with a listening, curious, critical ear. Five composers and music theorists employed at the Mozarteum will present you with compositions that could not be more different. The above-mentioned events can be attended with free admission. Registration is required for participation in the other events of the congress: https://www.gmth.de/veranstaltungen/jahreskongress/anmeldung.aspx To the entire program (Opens in new tab)
    News
  • SN: Bazaar of New Music: 100 Years IGNM
    4.3.2022
    SN: Bazaar of New Music: 100 Years IGNM 
    In the anniversary year "100 Years of the International Society for New Music (IGNM)", a diverse program reflects on its role as a major peace project after World War 1, on Salzburg's role as an international city in the interwar period, and on New Music's timeless claim to (re)learn how to listen.
    News
  • The pleasure of doing: 30 years of folk music studies
    4.3.2022
    The pleasure of doing: 30 years of folk music studies 
    30 years of folk music studies and study programs at the University Mozarteum: Together with the Lucerne School of Music, teachers and students of the University Mozarteum go on a search for traces between yodel and yodel, tradition and new trends.
    News
  • Astrid Eder: Diploma Presentation
    23.4.2021
    Astrid Eder: Diploma Presentation 
    "The Flying Dutchman. the multidimensional portrait" presentation at the former Baroque Museum, Mirabellgarten, Salzburg
    News
  • Reinhard Febel
    Faculty
    Reinhard Febel 
    Em. Univ.-Prof. for Composition
    Person
  • Sarah Nemtsov
    Deputy Department Head, Faculty
    Sarah Nemtsov 
    Univ.-Prof. for Composition
    Person
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