Search

Was it always clear to you where you wanted to go?A big challenge, but at the same time an opportunity, was that there was so little space to implementBut it doesn't have to if the alternative means not experiencing something at all, as was often the caseIt was never a: Don't do that, it's wrong, but always a Yes! Yes! And again Yes! Do it, try it out!

Regula Mühlemann, Thaddaeus Ropac, Gerfried Stocker and many, many more: On July 28 and 29, 2021, there was the first opportunity for all interested parties to gain insights into works that are being created or have already been created as part of Spot On MozART in a comprehensive project presentation with exhibition at Mirabellplatz 1.

As far as I know, it is easier in Tyrol and Vorarlberg, in Upper Austria and Salzburg it is a bit moreIt was then that my awareness of different materials emerged.But it was almost too little for teaching at a school.Pedagogy was the safeguard my family insisted on (laughs). Today I'm glad I did it that way.

The history of women at the Mozarteum University is not linear - it tells of pioneers and structural barriers, of new beginnings and persistent change and can be experienced in an exhibition from June 2 to 18.

As a result, the work cycle AMANTI Games of Love was created with 366 texts and a love picture for everyBut it sounds like a former self.This cycle of works, begun in 1993, was not shown anywhere for four years - a very long time for a youngIt was only when the genetic debate reached the media that the first exhibitions and participations followed

30 years of folk music studies and study programs at the University Mozarteum: Together with the Lucerne School of Music, teachers and students of the University Mozarteum go on a search for traces between yodel and yodel, tradition and new trends.

In the anniversary year "100 Years of the International Society for New Music (IGNM)", a diverse program reflects on its role as a major peace project after World War 1, on Salzburg's role as an international city in the interwar period, and on New Music's timeless claim to (re)learn how to listen.

More than 330 years after the premiere of the only complete opera by Henry Purcell, the French composer Henry Fourès composes a musical setting for Dido and Aeneas and calls it Elissa. A conversation with Rector Elisabeth Gutjahr, who wrote the libretto for it.

In 2020, the author Helena Adler's second novel Die Infantin trägt den Scheitel links was published by Jung und Jung. The book landed at number five on the ORF bestseller list in April 2020; she opened the O-Töne literature festival in 2020 with a reading from the book. In August 2020, the novel was longlisted for the German Book Prize. At the end of August 2022, her third book was published: Fretten, which was nominated for the Austrian Book Prize 2022.

Paul Feigelfeld has been a university professor for digitality and cultural mediation at the Institute for Open Arts at the Mozarteum University since October. He researches transcultural approaches to the history of media and knowledge, critical perspectives on technologies and their interfaces with art and design.

"The Mozarteum in distress", "Help us - a cry of distress from the Mozarteum" - headlines like these characterized Salzburg's press coverage in the spring of 1921. After four years of war, during which it had been possible to maintain the teaching activities of the young conservatory, the Mozarteum was on the brink of extinction.

With the takeover of the University of Theater and Cinematography Budapest by a foundation close to the government, a movement is beginning in Hungary that has long since become a European issue - the preservation of the autonomy of the university and education.

Personal ambition, egomania and sexuality as an instrument of power: Claudio Monteverdi's (1567-1643) "L'incoronazione di Poppea" is as topical as ever, even 380 years after it was written. A conversation with Gernot Sahler, the musical director of the opera production.

It was all the more painful when we learned that we would have played to a sold-out hall in Vienna.Everyone I spoke to was helpless and at a loss.Everyone thought the project was great and that motivated me to keep at it and solve problems.it or to perform in front of a full house.

Oscar Jockel is currently Kirill Petrenko's conducting assistant with the Berlin Philharmonic and a conducting fellow of the Karajan Academy for two years. He has been appointed the first Composer in Residence of the Brucknerhaus Linz for the 2020/21 season. Previous commissions range from works for solo instruments to sound installations and orchestral works, the latter for the Bruckner Orchestra Linz or the Camerata Salzburg, for example.

Philippe Boesmans, compositeur en résidance at La Monnaie under Gérard Mortier and Bernard Focroulle, wasEach time in the middle of it a line of dashes - in a horizontal position.Arthur Schnitzler was already skeptical about a staged realization of "Ten Dialogues" when it was writtenIt was not until 1982 that the polarizing work found its way back onto the stage.