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How can (body) boundaries be overcome and what has one's own body not yet learned? Ten students of the teacher training programme "Design: Technology.Textiles" are exploring these questions in an exhibition at the Bauhaus Museum Dessau.

In short, it is a story of repetition and the attempt to return.to someone who has not experienced it, I would say it is a little bit like drinking way too much coffeecenturies, it turns out: it's not so easy to live in paradise when you're thinking about the big pictureWhat exactly was their assignment?

Muriel Razavi and Sào Soulez Larivière took up their viola professorships at the University Mozarteum Salzburg on October 1. Both have received numerous awards, are active worldwide as soloists and chamber musicians, and invest a great deal in the future of classical music.

Tina Geroldinger, a young Austrian composer, and Maurycy Hartman, clarinettist and founding member of the Ensemble for Contemporary Music, in conversation about the new ensemble, opportunities and possibilities for contemporary music in the current music world and about special moments that arise when people engage intensively with each other musically.

It also serves as a source of inspiration for creative work, research, teaching, study and work. It is the responsibility of the teacher to take the existing relationship of dependency into accountIf any can be identified, concluding the legal transaction is only permissible if it can be proven thatthe transaction is customary in the above sense.

Julia Maria Eckes, Anastasia Fedorenko and Anna-Maria Husca are about to complete their Master's degree in Opera & Music Theatre at the Mozarteum University. In this interview, they give us an insight into their everyday life as students and let us in on the rehearsal process for the opera ‘Medusa / Giuditta’.

In the end, it was a clear "gut decision" to choose art and uncertainty.That was the beginning of my self-employment and it was a "hard bread".I haven't regretted the decision to this day - even though it wasn't always easy.It wasn't a big focus when I was a student, but that has changed a lot.

We had some gigs in the summer, it was better then.A lot of new things develop and you also learn a lot from it.But it is a lot of office work.The path is not easy but very beautiful!

was said, from now on only 100 concert visitors, it seems like from another world today!For myself, it was a dream to get into the university and to be allowed to do vocal training.The inner urge to sing was there from a very early age. I couldn't help it.It wasn't always easy and I also had to grow.

The weekend around 1 May at the University was marked by an extraordinary musical bridge-building between Salzburg and Dresden: with a cappella singing and choral symphonies, "night" and "sea", word and sound, the Dresden University Choir and the choirs of the Mozarteum University combined to create a multi-layered, dazzling spectrum of sound.

Recorder player Max Volbers and baroque violinist Mayumi Hirasaki were recently awarded an OPUS KLASSIK 2023. A conversation about the lively character of early music, the search for the new and the intensive research into the repertoire at the Department of Early Music at the Mozarteum University.

Approximately 800 of the 1800 Mozarteum students receive pedagogical training. Accordingly, synergies between the departments involved are important, as they were created in 2012 by the School of Music and Arts Education (SOMA).

The result was presented in a textile-acoustic concert on July 18.is easy to pack up and transport: the Pop-Up Mini-golf!It is a modular clothing system that invites people to create clothes together, in a group.it becomes obvious that the souvenir does not speak for itself. it needs a context, a story. souvenirs

I was well aware that it would be difficult, although I was already studying IGP (note: pedagogical trainingIt was not a plan "B", both interested me. However, a career is also determined by luck.It was for a piccolo part that was not one of my favorites.I heard it through the door and it was so beautiful that I didn't compete and went back home.

Starting on December 7, the Department of Opera & Music Theater, together with the voice classes and students of Claudia Lehmann, will bring Engelbert Humperdinck's fairy tale play "Hansel and Gretel" to the stage of the Max Schlereth Hall at the Mozarteum University. Five questions to the musical director of the production, Kai Röhrig.

Against oblivion: when Cécile Chaminade (1857-1944) looked back on her extremely productive life of some 400 compositions two years before her death, she seemed skeptical: "I hope not to be forgotten."