Search

The question of how the new comes into the world is a fascinating and equally complex one. The second panel discussion of the Salzburg University Development Impulses in cooperation with the Knowledge Transfer Centre West attempted to shed light on the creative processes that precede the emergence of the new with experts from various disciplines and fields.

In the subject Design: Technology.Textiles, especially in the field of technology, there was no dust- and noise-free place to teach, to discuss, to learn, to reflect, to take a break and to cook and eat, apart from the fantastic workshops until 2019.

Mozarteum University, Salzburg 2019

It is about determining one's own position in the coordinate system, about a kind of self-measurementOur starting point was to focus the production not only on the work itself, but in particular on thetendencies, and the fact that Pamina takes part in the final examinations, even becoming Tamino's guide, wasMP: It was very important to us to show all the performers and their roles as characterized by ambivalence

6 years of the Mozarteum Research Competition: Since 2019, the Mozarteum University's research management has awarded an annual prize for artistic, scientific and scholarly research projects. Director Eugen Banauch takes stock.

However, if you take a closer look, it quickly becomes clear that the amount of work required to be ableIt should also not be forgotten that many artists and cultural professionals work on a freelance or hybridIn February 2020 he was a finalist at the third Tel Aviv International Recorder Competition (IL) andHe was a member of the Leipzig Gewandhaus Choir, has been a scholarship holder of the German National

Hans Werner Henze's "Elegy for Young Lovers" will be the second production in the 2023/24 winter semester of the Department of Opera & Music Theatre to take to the stage of the Max Schlereth Saal from 26 January. A conversation with maestro Gernot Sahler about so-called "new music", the major challenges for budding artists and insights into pedagogical practice during rehearsals.

Senior Lecturer in New Music

Mozart's „Le nozze di Figaro“ will celebrate its premiere on 18 June in the Max Schlereth Saal at Mozarteum University. The director of the production, Alexander von Pfeil, and set designer Thorben Schumüller talk about the creation process, inspirations and the opera's major themes: hierarchies, power relations, gender roles...

Goldoni, the Molière-trained inventor of the dramma giocoso, and Mozart, twelve years old, develops from itThe premiere, which was planned for Vienna, was thwarted by many; the work was probably first performedAnd most fascinating of all: the event does not care about rules, conventions or decorum, it simply existsofficers Ferrando and Guilelmo* do not want to let their fatherly friend Don Alfonso get away with it

As part of the Salzkammergut Capital of Culture 2024, the Lehár Theatre in Bad Ischl, in cooperation with the Mozarteum University and the Lehár Festival, will be the venue for a short operetta festival that aims to revive the operetta condemned by the National Socialists. The aim: short, topical, critical.

The annual conference of the Austrian Society for Musicology will take place at the Mozarteum University from 17-19 October 2024. It will focus on and discuss music-related phenomena that are related to ideas of democracy and democratic principles.

Gertrud Fischbacher and her cooperation partner Marius Schebella (FH Salzburg) were awarded with the project "Nexus of Textile and Sound" at the annual funding program of the FWF for the development and opening up of the arts (PEEK)! They won the Research Competition Mozarteum (RCM) at the end of 2019, the PEEK application, which is based on intensive local cooperation with the FH Salzburg, is a further development of the RCM project.

Florentine Klepper has been Professor of Music Drama (scenic) at the Department of Opera & Music Theatre since the summer semester 2024. In the interview, she provides insights into her working methods, previous and ongoing projects and shares her thoughts on the various facets of music theatre.

His ‘unconditional devotion and love’ for music, as his colleague Howard Arman aptly put it, will always be remembered and continue to inspire the Mozarteum University. Laurence Traiger passed away on 18 October 2024 at the age of 68.

The versatile and renowned violinist, project manager and lecturer Franziska Strohmayr grew up in Augsburg and came to Salzburg to study, where she still lives today after graduating from the Mozarteum University under Prof. Martin Mumelter and Prof. Wolfgang Gratzer and from the Guildhall School of Music and Drama in London under Prof. Jacqueline Ross.