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schnitt # stellen is an interdisciplinary project that incorporates perspectives from artistic research as well as cultural and media pedagogical research. The focus of interest is on interactions and potential synergies between the media cultural lifeworlds of young people attending an urban secondary school and the field of contemporary media art.

Univ.-Ass. for Graphics / Art Education & Senior Scientist in W&K

+ Audio + Theatre + Documentary experience: Master project by Wan Yuk Yu

Installative, performative and interactive work at various locations in Salzburg, as part of the Salzburg summer scene.

Theater-interested, -enthusiastic and -newcomers are welcome! Everyone together, citizens, people who live in Salzburg, students and life artists try out together.

An OMAphonie in five movements. Stories by and featuring OMAS GEGEN RECHTS (Grandmothers Against the Right) – Master's project in Applied Theatre by Tin Blümke, (in collaboration) with Gerti Mayer, Gerlinde Ausweger, Ulrike Murfett, Doris Horwedel-Fuchs & Traude Probst

What can my anger do and how can I use it? What facets of female anger are there? Can anger be tender? And which household appliance represents my anger and why?

In the WS 2023, the MA Applied Theater – artistic theater practice & society focuses on practices of artivism, performativity and the inscription of one’s own biography in (artistic) work and society.

What is the sound and rhythm of a city? How do people meet in this or another place? Where do they feel free? How does urban architecture inscribe itself into our bodies? How do we walk in the city? What does the climate of a city feel like? How does the memory of a city work? And what happens when we relate our experiences with these questions in places as different as Hong Kong and Salzburg?

Andreas Steudtner „Welcome, Servus, Grüß Gott”

Utopias to go on:A travelling parcours in the performative border area between procession, installation and intervention leads the audience of the summer scene into the public space. In this walk through the city, a possible constructive and feminist future for Salzburg is developed together.

A tour through eight temporary individual works by MA Applied Theatre students on the theme of theatricality and the theatricalization of places and spaces.

The Applied Theatre students are showing try-outs of their work in the module "On Representation - Who cares, who speaks?". Together with co-researchers, accomplices and so-called experts of everyday life, they try to find out which untold stories should be given a stage.

MEGA:STAGE salzburg is a project of the Applied Theatre - artistic theatre practice & society programme, which illuminates the festival city of Salzburg from a new perspective and gives a new dimension to one of the original ideas of the festival, that of the "city as stage".

The students of the master's program Applied Theater at the Thomas Bernhard Institute, together with Ulrike Hatzer and Trace Müller, deal with Salzburg's "shadow stories" and with the forced labor camp in Maxglan/Leopoldskroner Moos in a participatory documentary theater project. Whether, when and why are painful pasts and shadow stories remembered?

The Applied Theatre project digs for stories hidden in the Rainberg. By overlaying the different uses in different periods of time, contrasts but also commonalities become visible: "Dance until we die" examines how temporary communities function, according to which criteria they are created, which rules they are subject to.