Directing graduate Ebru Tartıcı Borchers is nominated for the prestigious German theater award DER FAUST 2023! The award honors outstanding artistic achievements that reflect the diversity of the theater landscape in Germany.
Even in a hyper-eroticized society, hardly any topic is as polarizing as sex work. Whether in feminist debates, political disputes or in private conversations: everyone has an opinion about it. In Johanna Mayrhofer's master's project, sex work as a topic that has always been on the borders of our society is moved from the outskirts to the center of Salzburg in the form of an interactive audio walk.
Theater-interested, -enthusiastic and -newcomers are welcome! Everyone together, citizens, people who live in Salzburg, students and life artists try out together.
Federal Minister for Education, Science and Research Ao. Univ.-Prof. Dr. Martin Polaschek was a guest at the Mozarteum University on Tuesday, August 8, 2023 and congratulated students on their various engagements at the Salzburg Festival. In a conversation lasting just under an hour, the students told how their engagements came about and why the Salzburg Festival can be an important stage for the future.
How does one actually become an actor? How does an acting class work? The participants were able to try this out for themselves for a week at the #summercamp23 of the Thomas Bernhard Institute, when the university opened its doors wide and it was time for very different youngsters to get on stage, get into character, #act!
Since June 14, 2023, a right-wing populist party has been a legitimate part of the Salzburg state government. The Senate of the Mozarteum University Salzburg is following with concern the extremist expressions and exclusionary attitudes that are thus finding their way into key political positions in our federal state, not least with a view to the signal effect of this coalition in terms of federal policy and its international external impact.
The 34th Potsdam National Competition of German-speaking Acting Students ended on June 25 with the selection of the prize winners. The "Ensemble Prize Austria" in the amount of 10,000 euros went to the 4th year acting class of the Thomas Bernhard Institute and their production of "Tartuffe".
The author and musician PeterLicht has taken on Molière's scandalous play from 1664, "atomised and pulverised" it to make it readable in its satirical quality for our present. Director Nele Rosetz works out a common reading of the material with drama students. How does a group shape the behaviour of individuals? And what actually happens when an established context is shaken up by the emergence of a new character?
How does one actually become an actor? How does an acting class work? This is what those interested in acting can try out for themselves for a week during the summer holidays, when the Thomas Bernhard Institute opens the doors of the university wide and sets the stage for the summer camp.
Elfriede Jelinek's "Am Königsweg" is an examination of right-wing populism, Donald Trump's disastrous political practice and the helplessness of a society that cannot find an answer to the explosive spread of contempt for democracy and violence.
Pleasure Space is a tactile installation and theatrical play on sexuality education. Anna Szepes' master project in MA Applied Theatre aims to create safe and playful performative spaces for intergenerational exchange and creative knowledge production around sexuality. In Pleasure Space we use research, interviews, play design, writing, somatic exercises and sound to realise a correspondence between adults and teenagers that is now open to you.
On January 20 and 21, the Thomas Bernhard Institute, in cooperation with the Department of Scenography of the Mozarteum University, presented Philoktet by Heiner Müller, Gaia in a version by Till Ernecke and The Bacchae by Euripides, three directorial works on the theme of classical music at the Theater im KunstQuartier.
Could Dionysus be a queer trans* deity? What if their companions simply do not conform to any norm and are not mad at all? Cat Jugravu's performance DIONYSOS. MADNESS POURS UPON MY LOVELY FACE invites us to reinterpret the myth as a manifesto for otherness and queerness. With the Maenads - the dissident entourage of Dyonisos - the audience tries to approach a life without the norm in ritual, dance and rave.
X participants, X directors on X dates with X theater ideas, people interested in theater, theater enthusiasts, theater novices meet students of the Applied Theatre - artistic theater practice & society program. Everyone tries out together, some in playing, others in directing.
A tour through eight temporary individual works by MA Applied Theatre students on the theme of theatricality and the theatricalization of places and spaces.
Inspired by the polyartist Bob Dylan and his approaches of appropriation and transformation, nine artistic-explorative teams of two from the Mozarteum University were on the road in South Africa, the US, Mexico, Europe and Latin America during the first half of 2022. The results are nine art projects that will be premiered on October 14 and 15 as part of Jazz & The City, accompanied by a symposium "Inspired by ... commemorating 60 Years of Bob Dylan.".
How do we change perspectives when things and people become strangers to us? The performance OUBLIEZ - WHO(N) WE FORGET focuses on the 'in-between spaces' where communication takes place - between those affected, care staff and relatives - and tries to capture what happens to people who "disappear without being lost".
How much time do we give life in life? Pelican or raven? How much role modeling can we tolerate? Where do we put our anger? Do you wash your hands often enough? And do you like to eat bread? Yes, and who actually asks mum? Lievito Madre invites you to take time to listen, ask yourself questions and take a closer look at the roles of mothers.
Jonas Baur, Master's student Applied Theatre invites all men (all bodies, queer-friendly, trans* inclusive) to come together to seek and find answers to what it can mean to make masculinity diverse and caring. The invitation is open to anyone who is curious, interested in sharing about gender roles, wants to see themselves as men in their own way, or wants to prevent discrimination.
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