The history of women at the Mozarteum University is not linear - it tells of pioneers and structural barriers, of new beginnings and persistent change and can be experienced in an exhibition from June 2 to 18.
Violence against women (and minorities) is omnipresent, firmly anchored in our patriarchal structures and is one of the most widespread human rights violations. In order to increase the visibility of the numerous initiatives of the United Nations and other organisations in relation to this topic, the UN campaign ‘Orange the World’ (OTW) introduced a uniform, strong subject colour. In keeping with its mission as an educational institution with social responsibility, the Mozarteum University is also taking part in ‘Orange the World’ during the ‘16 days against gender-based violence’ (25 November - 10 December).
FAiR stands for Female Artist in Residence and is a funding programme for young female artists on their way to becoming university professors. It was recently launched at the Mozarteum University and is committed to greater fairness and equal opportunities in the professional lives of women at music and art universities.
The Institute for Gender Equality & Gender Studies oversees the announcement and awarding of prizes for theses and qualification projects as well as funding for artistic/scholarly projects in the fields of Gender & Queer Studies and Diversity Studies.
The Institute for Equality & Gender Studies honours outstanding student theses and qualification projects that correspond to the understanding of a scientific/artistic examination in the fields of Gender & Queer Studies, Advanced Feminism and/or Diversity Studies with the GenDivers prizes. On 8 May 2024, the GenDivers Awards 2023 were presented as part of the exhibition opening "(UN)GESEHEN: des Blicks Verlernen" - the winners are Cat Jugravu, Johanna Mayerhofer and Dustin Waskow. Congratulations to them!
The Institute for Gender Equality & Gender Studies oversees the announcement and awarding of prizes for theses and qualification projects as well as funding for artistic/scholarly projects in the fields of Gender & Queer Studies and Diversity Studies.
Against oblivion: when Cécile Chaminade (1857-1944) looked back on her extremely productive life of some 400 compositions two years before her death, she seemed skeptical: "I hope not to be forgotten."
