The young officers Ferrando and Guilelmo* do not want to let their fatherly friend Don Alfonso get away with it - after all, he doubts the fidelity of their fiancée! But instead of the demanded duel, they accept his proposal of a wager and thus become handmaidens in the work of destroying their love relationships.
Jacques Offenbach: Les contes d'Hoffmann
Overview
Gernot Sahler (10.5. / 11.5. / 13.5.) Shun Oi (14.5.,1st and 2nd act) Giulio Cilona (14.5., 3rd act) Ruben Hawer (14.5., 4th and 5th act) Stage direction
Alexander von Pfeil Stage & Costumes
Lisa Behensky, Theresa Staindl Dramaturgy
Malte Krasting Chorus direction
Stefan Müller
About production
Libretto by Jules Barbier after the drama by Jules Barbier and Michel Carré Jacques Offenbach - given the honorable title "Mozart of the Champs-Elysées" by Rossini - worked intensively on "Les Contes d'Hoffmann", marked by illness and in a race against death. When he died on October 5, 1880, he left behind an enormous torso of various versions and sketches. The attempts of his contemporaries to reconstruct the work and bring it to performance turn into something adventurous themselves: a theater burns down, parts of Offenbach's autograph fall victim to the flames, decades later versions thought to be lost reappear, even an entire finale that ends the Giulietta act completely differently than previously assumed. Thus, a kaleidoscope of possibilities opens up for each reinterpretation. The subject is actually based on tales by E.T.A. Hoffmann. "Here, place and hour are themselves ghosts and spirits. People live locked in them until they suffocate. " (Theodor W. Adorno)
The opera class of Alexander von Pfeil and Gernot Sahler brings the work to the stage of the Mozarteum in a condensed and pointed version, concentrated on material that has been safely handed down.
Dates & Cast
11. May 2019, 17.00
13. May 2019, 19.00
14. May 2019. 7.00 p.m
max Schlereth Hall